The course is now available at the introductory price of £80 and is open for registration on the Thinkific site, a dedicated platform for online courses.
You will find on this page a list of tools and materials that you will need if you are planning to enrol for my online Atmospheric landscapes using oils and cold wax workshop. The list includes where I source my materials in the UK although all materials should be readily available across the globe.
What |
Description |
Brand / type |
Where to buy |
Squeegee |
This is the main tool we will be using for painting with. The 6-inch squeegee is just the right size and does not place too much strain on your hands. |
Messermeister or Cold Wax Academy |
I have a limited number of Messermeister squeegee sets available. Alternatively you can purchase from Lindsey Tyson Artist. Cold wax academy or Jacksons art supplies if you are UK based |
Palette knives |
It is worth having a range of shapes and sizes in your toolbox so that you can produce different marks on the surface of your painting. |
RGM Palette knife No. 30 or something similar |
|
Fan brush |
For blending I find a soft synthetic fan brush works the best. |
Daler Rowney System 3 acrylic brush: Fan 6 |
|
Palette |
You will need a surface on which to mix your paints. Traditionally artists have used a wooden palette, but you can now buy disposable paper palettes which are made from a waxy paper or alternatively use freezer paper or grease proof paper. |
Paper palettes |
|
Arches Huile paper |
Comes in pads, single sheets or large rolls. A small pad is sufficient for this workshop. |
Arches huile oil painting paper: 300 gsm |
|
Newsprint |
Newsprint or newspapers for taping your paper onto. |
Seawhite A3 newsprint pad |
|
Masking tape |
Professional masking tape which is not too sticky. |
Handover professional masking tape – various widths |
|
Cold wax medium |
There are several brands on the market so if you are starting out for the first time using cold wax it is worth purchasing a small amount and experimenting to see which suits your practice and your workspace. |
Gamblin, Jacksons or Dorland |
|
Oil paint |
Colours we will be using in this workshop are: · Titanium white · Cerulean blue · Crimson alizarin · Cadmium yellow deep or Indian yellow You can choose to use water-mixable oils but be aware that when you incorporate cold wax into your painting process it cancels out the benefits of using them as it contains solvent. Alkyd oil paints are suitable for this workshop. |
Go for artist quality paints such as Jacksons, Gamblin, Michael Harding, Sennelier |
|
Artist pigment |
Pigments are great for adding a splash of colour. |
Artist quality pigments |
|
Solvent |
Choose a solvent which is odourless to minimise the build-up of odours when you are working. You need to be looking for something that is safe to use regularly and things to consider are odour, fumes, and flash points. |
Gamsol, Jackson’s Shellsol T odourless solvent or Michael Harding miracle medium |
November 2024: Version 3.0